The second of two articles lambasting journalism in Der Spiegel.
While we're on the subject of poor journalism from Der Spiegel, I'd like to point to this recent article, published in the wake of the March 11 earthquake Japan. The basic idea here is that things like anime and manga, for all their weirdness to Western audiences, have now proven themselves to be a prediction of the future.
Let's take a look at what the article has to say about this picture, which it gives (my translation) the title Tsunami-Victim in Natori: As if lifted from a manga:
There is a photograph that a photographer took after the earthquake in the town of Natori. Before the earthquake some 70,000 people lived there; today the town has been reduced to rubble. In the picture, a girl cowers at the side of a road. She's perhaps 20 years old; hair dyed red, wearing a black jacket and hugging her naked legs, it looks as if the girl is freezing and she herself is the only thing she has left to hold on to. Next to her are a pair of wine-red Wellington boots, behind her the remains of civilization. As if Godzilla had trampled through the town.
To me, this is dreadful in several ways.
First of all, in an article which claims to be about the artificially of culture, the only way it seems able to view the suffering of this girl is through the lens of popular entertainment. Saying that it looks like something out of a comic book does not suggest much empathy.
Secondly, I'm quite sure that the photo looks the way it does because of that. The photographer, or editor, wanted to create an image which made you think of manga / anime. In that sense, the fault is not entirely with Der Spiegel, although they should have noticed the implicit manipulation.
But more importantly, the argument that Japanese popular culture is a prediction of such disasters is, to put it midly, completely arse-about-face. Yes, the geographical situation of Japan leaves it particularly susceptible to natural disasters, and the Japanese have always been aware of the fragility of their existence. But those recurring images of destruction in anime and manga? They're about something far more specific that has already happened.
Yes, you've guessed it: the two atom bombs dropped on Nagasaki and Hiroshima by the USA at the end of the Second World War. Such manga, anime, and movies like Godzilla are not haunted by destruction because of an apocalypse that might happen, but because of the apocalypse that already has. I find it completely unfathomable that the author of the Spiegel article does not feel it necessary to mention this: the bombs are mentioned in passing, almost like inconvenient details which to not fit into the argument of the article. To be sure, some (recent) manga and anime do specifically predict what might happen in the event of an big earthquake in Japan, such as Tokyo Magnitude 8.0 or 51 Ways to Save Her. But these are really the exceptions; works like Akira , Nausicaä of the Valley of Wind, and Neon Genesis Evangelion are far more representative, and in all of those the apocalypse has already happened. Talk about a hint.
This should be so obvious that it doesn't need pointing out. Yet despite discussing Nausicaä, it still doesn't occur to the author of the Spiegel article. But perhaps it explains why they find Japanese culture quite so weird.